Clémentine
Schneidermann
Projects
Commissions
Books
/ Prints
About
contact:
clementineschneidermann@gmail.com
Studio: Le 6b, Saint Denis
She recently completed a practice-based PhD at the University of South Wales, Cardiff entitled Photographing Children in a Social Context: Narratives and Strategies (2021). She works on long term projects & commissions and is interested in new creative practices in social documentary photography. Her approach is collaborative and playful, with an interest in communities, childhood as well as our relationship to identity and culture. She is a co-founder of Bleak Fabulous with Charlotte James, a photography-based creative studio working across different disciplines with an emphasis on communities and collaboration.
Magazines & Clients
M le Magazine du Monde, The New Yorker, Middleplane Magazine, Vogue Italia, Luncheon, AnOther, Self Service, De Standaard, Süudetusche Zeitung Magazin, Dazed, Alexander McQueen, Tiger of Sweden, Airbnb, Gucci, Show Studio, BBC
Awards
Taylor Wessing Prize (Winner) 2022
Le Bal / Adagp (Coup de Coeur) 2021
Hundread Heroine, Royal Photographic Society, 2018
Leica Oskar Barnack Newcomer Award (winner) 2016
Art Council Wales (2019, 2020)
Press
Le Monde Magazine, ‘La planète fans, selon Clémentine Schneidermann’, 2024
AnOther Magazine, ‘The Magic of Welsh Prom’, 2024
The Financial Times Magazine, ‘Martin Parr selects his favorite photographers ahead of Photo London’ 2023
The Guardian “My Best Shot”, 2022
032c “ Photographic Performances, Charlotte James and Clementine Schneidermann”, 2022
Vision#11 Podcast with Clémentine Schneidermann (in French), 2021
Creative Review “Clémentine Schneidermann traces Georges Brassens’ legacy in Sète”, 2020
Blog de Fabien Ribery, “Gare au gorille, par Clémentine Schneidermann photographe”, 2020
The New Yorker “A Portrait of Prepubescent Youth in South Wales”, 2019
The Guardian “It was our catwalk”, 2019
Wales Arts Review “All the Oddities of Wales”, 2019
The Face “Ffasiwn, The Film”, 2019
i-D “It’s Called Ffasiwn”, 2019
M le Magazine du Monde”God save the King” (Portfolio), 2018
Libération "Une photographie de mode sociale", 2016
Slate Behold " Elvis Presley's biggest fans ", 2015
New York Times Lens blog " Elvis is everywhere ", 2015